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MEGAFAUNA - Venator (Album Premiere)

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Written by: The Administrator

Those of you with an uncanny memory may recall that, towards the end of my recent review of Megafauna's eerie and excellent Venator, I made mention of a premiere. Here we are, folks. Venator will officially be released this Friday, April 19th, via Syrup Moose Records, but if you're unwilling to wait, we invite you to listen to it in full below.

Of course, some preparation is called for If you're invested in full experience, I highly recommend hiking into the deepest darkest forest you can reasonably find. Walk until you find a dilapidated shack, or perhaps a large pile of bones that look suspiciously familiar. Set up camp. Wait for dark, and then wait for your flashlight battery to die. Make peace with the fact that there is almost certainly something in the woods, and i̵̲̾͑̏t̷̜̝̳̏ ̸̼͝i̴͉̥̲̗͋̊s̵̨̬̹͙͓͕̿̈̉̔̌͠ ̵̡̭̜̩͌̈́̽͛̌̚ͅͅw̶̧̹̮̯̌̈ą̴̹̼̮̼̖́̆̑͆̓͝t̵̨̨͇̺̂̇̇̅͆̋͜͠c̶̢̧̻̞̈́̓͝ḥ̶̢͐̉̄̓̓̋i̷̦͈̠̎̇̊͂̔͠n̵̼͛g̴̨̮͉̲̠͆.

Check out Venator below, and, as always, we'll meet you on the other side. Much to the chagrin of pretty much everyone, I'm not done waxing poetic just yet.

As I've continued to listen and sink into this album, I've continued to enjoy the oddities and nuances that make each track feel distinct. The album feels cohesive, but every next track feels as much of a  standalone as it does a part of a larger puzzle. For example, I'm increasingly fascinated with the weird sounds and downright uncomfortable aura on "Beneath The Gallows," which has me fully convinced that Megafauna should be first in line to soundtrack the next Skinamarink knockoff. In all of its cascading plunkiness and humming atmosphere, this track reminds me of early 90's terror in a way I really can't put into words. It shares a clear sense of anxiety with, say, followup  "F E A R A N D E X H A U S T I O N," but that same emotion is realized in a very different way. Less foreboding, more menacing. Take any random track and contrast it with another, and despite the intrinsic sonic and aesthetic differences, the fact that they come from the same project feels exceedingly apparent. In other words, the unsettling vibe abides. And that, I hasten to add, is a very good thing.

The use of vocal samples throughout is also something that I've come to appreciate more and more over repeat listens--they serve as a loose narrative frame that helps contextualize emotive cacophony. It's a smart tool, and the album benefits from the structure, imagined or otherwise.

As we wind down towards an eventual conclusion, this statement from the artist helps contextualize the whole affair: Ventator is "an album created in various stages of exhaustion, mental illness, bursts of creativity, fear, anger, sadness, joy, nihilism and limited free time. The second effort from MEGAFAUNA and an outlet and means of processing of some long dormant feelings, or feelings thought exorcised. Maybe it shouldn't exist, but it does. Maybe I shouldn't, but I do."

And there you have it! After spending significant time with Venator, I sincerely hope you enjoy/fear/connect with this album as much as I have.


Megafauna Venator will be released April 19th, 2024 via Syrup Moose Records. Preorder here!

Megafauna can be found:
Bandcamp
Instagram
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sirshannon
15 hours ago
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Free Me from This Dungeon (2024 Compilation)

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Y’all. It’s been a minute. What’s shakin’?

Our favorite Maryland-based non-profit charity record label recently dropped the latest in their series of benefit compilations, and I wanted to make sure you hadn’t missed out on this one.

Primarily consisting of dungeon synth and other closely-related (mostly) instrumental, (almost exclusively) synth-based sounds, Free Me from This Dungeon is on sale now with proceeds supporting the Safelight organization.

 

Various Artists – Free Me from This Dungeon: A Compilation in Support of the Safelight Organization (Food Desert Recordings, 23 February 2024)

 

 

From Food Desert Recordings‘ Bandcamp page:

Safelight is a 501(c)(3) nonprofit agency that provides support for survivors of interpersonal violence, sexual assault, and child abuse. They make it possible for families who want to be free of violent relationships to succeed. They make hope real.

Safelight gives individuals who have experienced interpersonal violence, sexual abuse, and child abuse a real second chance—an opportunity to redesign and better their lives. Today, due to Safelight‘s broad community support and partners, they are addressing needs in mental health, substance abuse, employment and housing. They provide not only immediate short-term help to children and adults in crisis but help them work towards long-term solutions.

To find out more about Safelight‘s mission, please go to www.safelightfamily.org. All proceeds from this album will be donated to the Safelight organization every month to help them achieve their mission. As always, thank you for your generosity and support.

 

Free Me from This Dungeon: A Compilation in Support of the Safelight Organization is available for purchase right now, right here.
 

 

 
Featured artists include:

Dreadwood Prophecies
Apparition Gauntlet
Dungeon Weed
Lunar Cult
Trǫlláss
Soot Rooster
The Human Veil
(whom, you may recall, we’ve talked about before)
spaceseer
18 Slashes
Sanguine Sacrifice
Hermit Knight
Plague of Insomnia
MEGAFAUNA
Zireael

 

* * *

 

Food Desert Recordings: Bandcamp | bsky | Twitter | Instagram



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sirshannon
5 days ago
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There’s Something Fishy About My Yard

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We had quite a bit of weather earlier in the week (nor are we out of it, although Eclipse Day looks to be all right if the predictions hold) and as a result our yard flooded and we had a river running through it. Which is all right! In fact our yard is designed to channel overflow from a neighbor’s pond down our yard and toward a creek on the other side of the road from us. It happens a few times a year and, once the rain stops, it drains fairly quickly and efficiently.

And as a side effect, every now and again, when things dry up a bit, I find these: stranded bluegills in my yard. They are dead, alas for them, and today as I was walking Charlie, I found rather a few of them: at least a dozen, all near the treeline. Because I don’t want the dog to eat them whole, or the cats to drag their carcasses into the garage, I was obliged to chuck all that I found into the treeline, which was every bit as icky as it sounds. I hope not to do that again for a good long time. Also, one really does never get used to random fish in the yard.

So, that’s my Friday so far. How are you?

— JS

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sirshannon
12 days ago
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15 iPhone Shortcuts YOU Requested: Auto-Texting, Alarms, Music, and More! »

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From Stephen Robles on YouTube:

Learn how to build 15 iPhone Shortcuts, inspired by YOU. Automatically play music when an alarm is snoozed, schedule a text to auto-send, make your screenshots look pro, and more.

Stephen continues his Shortcuts series on YouTube by building shortcuts off listener requests – a great watch as always.

View the video YouTube.

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sirshannon
16 days ago
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digdoug
16 days ago
oh this is handy.
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Starter Villain a Hugo Finalist for Best Novel

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Some good news today: Starter Villain is a finalist for the Hugo Award for Best Novel. I am, genuinely, thrilled beyond words, for myself, and for everyone at Tor Books who worked on getting this book out into the world (not neglecting Tristan Elwell, who created The Best Cover Art Ever and is also a Hugo finalist this year, in the Professional Artist category; the UK cover, by Black Sheep, is pretty snazzy too!). The Hugos will be awarded at the Worldcon, this year in Glasgow, Scotland. I was going to be there anyway, as I am DJing a dance there, but now I have a second reason to attend, so I have that going for me, which is nice.

Here is the full list of finalists for this year. The other finalists in the Best Novel category, by authors who I am absolutely thrilled to share this joy ride with for the next several months, are:

  • The Adventures of Amina al-Sirafi by Shannon Chakraborty (Harper Voyager, Harper Voyager UK)
  • The Saint of Bright Doors by Vajra Chandrasekera (Tordotcom)
  • Some Desperate Glory by Emily Tesh (Tordotcom, Orbit UK)
  • Translation State by Ann Leckie (Orbit US, Orbit UK)
  • Witch King by Martha Wells (Tordotcom)

It’s lovely to be a finalist for the Hugo Award in any year, but this year in particular it’s especially meaningful. As I think most of you know, the award has come off a very rough year, in which the legitimacy of last year’s Hugo process and results were — legitimately — questioned. Through no fault of the folks who are putting on this year’s Worldcon and administering this year’s Hugo process, the Hugo Awards are under extra scrutiny and consideration. As they should be. As they must be.

When I was informed that I was a potential finalist this year, I gave some thought as to whether to accept the finalist position; last year I was a finalist for a Hugo Award, and later examination of the process suggested that perhaps I should have not been, and that my position on the ballot was unearned. Could I believe that this time my finalist position was earned, and truly represents the choices of the voters?

The reason I accepted the finalist position comes to this: I have trust in the principals of the Glasgow Worldcon, and I have trust in their principles as well. I know they know how important it is this year’s Hugo Awards are above board and beyond reproach, and I believe that they are committed, by their own inclinations as well as by the circumstances, to making sure this Hugo season runs smoothly, and transparently, and with integrity. In particular, I trust that Hugo administrator Nicholas Whyte will make sure everything happens as it should. He has done so in the past and is of unimpeachable character.

I trust the people and the process this year, and am thus delighted to have my novel be a finalist for the Hugo Award. If you nominated Starter Villain this year: Thank you! If you nominated something else: Thank you, too. All of you, thank you for helping to bring back the Hugos from a scary precipice. I appreciate that faith and determination. It’s knowing that this finalist position comes from readers and fans that makes the Hugo so special, this time and every time. Thank you. More than I can say.

See you in Glasgow!

— JS

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sirshannon
17 days ago
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Don Lemon Is Shocked — Shocked — That the Face-Eating Leopard Ate His Face

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Back on January 10, Twitter/X and former CNN host Don Lemon announced a deal for Lemon to host a new show on the platform.

Last Friday Lemon interviewed Elon Musk for his first episode of the show. Not liking the questions he was asked, Musk cancelled the show the next day.

Agreeing to a deal with Musk is like agreeing to a deal with Trump. At best you’ll be paid pennies on the dollar, and probably will never see a nickel.

Link: threads.net/@karaswisher/post/C4djaMXOcQk

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sirshannon
35 days ago
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